Juan Almeida, also a hero of culture
It is not possible to separate from his musical production his revolutionary work, because both lines form an inseparable bond
OFFICIAL VOICE OF THE COMMUNIST
PARTY OF CUBA CENTRAL COMMITTEE
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15 resultados.
Racism in Cuban music?
For some time now, there has been talk of racism in Cuban music, within different spaces devoted to criticism and musical positioning. And to contextualize this, a specific historical period is utilized, to be precise, that which began in 1959.
Los Van Van and Martí: A great delight
Juan Formell musically honors Cuba´s national hero in a gem on a CD released by Egrem studios, in collaboration with the José Martí Cultural Society and Buena Fe’s Israel Rojas
Haila without borders
Multifaceted artist Tony Succar and Diego Giraldo recently released the song Sin fronteras (without borders). One of the great attractions of this song is the featuring of three women who represent salsa in their very own way and together further enhance such genuine genre.
Is the industry pulling its strings?
The rise of a music industry that is moving away from concepts established by the same patterns that today contradict each other is growing. If we look at the relationship between record labels
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The so-called mass media stands as the executioner of these times to, in no figurative sense, cut down glimpses of cultural resistance.
Jazz Plaza, among stars
With two concerts at the National Theater of Cuba and one at the Heredia Theater in Santiago de Cuba, the Jazz Plaza 2025 Festival began a new edition yesterday
Of music, social media, and selective racism
Cuban Minister of Culture Alpidio Alonso tweeted his condemnation of media campaigns of manipulation and hate against Cuban intellectuals and artists, conceived, directed and very well paid by the United States. "Let's make sure truth and love prevail," he said, in his message expressing support for renowned musician Alexander Abreu, a recent victim of this machinery
Cubadisco 20-21: A virtual version
Concerts and events can be seen from anywhere in the world on the Ministry of Culture’s digital platforms
Records in Cuba: Oasis of the 21st Century?
It is the virtual world that has displaced physical production, but this universe and its infinite possibilities have pluralized consumption depending on different factors
