Juan Almeida, also a hero of culture
It is not possible to separate from his musical production his revolutionary work, because both lines form an inseparable bond
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It is not possible to separate from his musical production his revolutionary work, because both lines form an inseparable bond
The so-called mass media stands as the executioner of these times to, in no figurative sense, cut down glimpses of cultural resistance.
The humble young bricklayer, who at 26 years of age joined the revolutionary struggle, managed to live one of the most unique love stories known today
Cuban Minister of Culture Alpidio Alonso tweeted his condemnation of media campaigns of manipulation and hate against Cuban intellectuals and artists, conceived, directed and very well paid by the United States. "Let's make sure truth and love prevail," he said, in his message expressing support for renowned musician Alexander Abreu, a recent victim of this machinery
A few weeks ago, the 2nd International Colloquium Patria, organized by the Union of Cuban Journalists (UPEC in Spanish), was held in Havana, with the participation of numerous speakers from different parts of the world.
For some time now, there has been talk of racism in Cuban music, within different spaces devoted to criticism and musical positioning. And to contextualize this, a specific historical period is utilized, to be precise, that which began in 1959.
Like Roger Waters, other artists from different regions have joined the campaign to end the massacre, but their voices have been overshadowed
Juan Formell musically honors Cuba´s national hero in a gem on a CD released by Egrem studios, in collaboration with the José Martí Cultural Society and Buena Fe’s Israel Rojas
U.S. imperialism devotes millions on attempts to discredit Cuba and recruiting cultural figures to join the effort is established practice. Some succumb to the siren song, but most do not care to live for crumbs, visas or legal residence, and perform in low-rent venues
The rise of a music industry that is moving away from concepts established by the same patterns that today contradict each other is growing. If we look at the relationship between record labels