Criticism and strategy
Artists and the public need critics, not for judgmental or conclusive opinions, but as referential points to guide the exchange of ideas
17 resultados.
Artists and the public need critics, not for judgmental or conclusive opinions, but as referential points to guide the exchange of ideas
Every year, the Festival of New Latin American Cinema arrives as an obligatory event for lovers of good cinema and culture in general, and the 41st edition this December is not be missed
Arrogant behavior is costing lives
Argentine filmmaker Fernando "Pino" Solanas has died a victim of COVID-19 at the age of 84, leaving a body of work demonstrating how his renowned artistic work was intrinsically connected to his political militancy
The 1925 film Potemkin was not only a reflection of a new social world on the rise against oppression, but also an artistic-cinematographic revolution
The controversy surrounding the film, recently added to the Netflix catalogue, and the pandemic, have meant far more viewers than the most optimistic estimates predicted
Maestro of the best melodrama, Ernesto Daranas has now resorted to tragicomedy to recreate an era with a touch of the fabulous, offering a film worthy of being seen and analyzed
Condemning "the dictatorship," pulling out your knife and plunging it to the hilt into Cuba, is a bargaining chip to make one’s way within Miami's uncertain cultural circles
The first cinematographer in Cuba to win the National Film Award is the architect, in images, of a good number of Cuban films that remain forever in the imagination of viewers
While sexual diversity is present in contemporary filmmaking without the stigmas that once condemned it, the road to achieving freedom of expression has been long and tortuous