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African-American diversity versus neocolonial hegemony

The First International Workshop on Afro-American Diversity, hosted by the Casa de las Americas in Havana, focused on educational, cultural and communicational strategies to combat racism

Díaz-Canel meets with UNEAC leaders to discuss media reflection of culture

During the meeting with the Union of Cuban Writers and Artists, discussed were topics such as the application of science in the creation and distribution of audiovisual and radio productions, as part of the agenda for monitoring and updating agreements reached at the organization’s Ninth Congress

Farewell to Tato Quiñones

Renowned writer Serafín Quiñones (Tato), known for his contribution to the study and promotion of African legacy in Cuban culture, died yesterday in Havana, at 77 years of age

Film and dance with Carlos Acosta

The long-awaited biographical film about Cuban dancer Carlos Acosta will premiere during the San Sebastián Film Festival, in this Basque city, September 21- 29

Benedetti, compañero and friend

No, one, except perhaps a few infected with the virus of envy and mediocrity, question the poetic stature, the narrative depth (La tregua, Montevideanos and Gracias por el fuego, among other titles) or the brilliance of the essays of Mario Benedetti, the writer from Uruguay, or better, Our America, whose life we celebrated September 14.

Jazz in the front row

Six days of jazz in the Cuban capital, from morning to night, filled theaters and outdoor venues with concerts, colloquiums, conferences, book and phonographic presentations, strictly adhering to COVID-19 precautionary measures

Those who make Cuban music honored

A group of respected Cuban musicians were awarded the National Culture Distinction last night, May 17, in a ceremony at Havana's José Martí memorial, attended by Miguel Díaz-Canel Bermúdez, Political Bureau member and first vice president of the Councils of State and Ministers

Those who dance, win

Those who attended the unveiling of a plaque placed at the spot where the first concert of Juan Formell’s Los Van Van took place, on December 4, 1969, can attest to the fact that Cubans are a dancing people

Martí, from marble to life

The eloquence of the image grows with time. It is a photo taken at the Vivac prison in Santiago de Cuba. In the foreground, a young man of tall stature who is morally strong enough to face the difficult situation: the unexpected setback of the movement he leads.