Those who dance, win
Those who attended the unveiling of a plaque placed at the spot where the first concert of Juan Formell’s Los Van Van took place, on December 4, 1969, can attest to the fact that Cubans are a dancing people
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Those who attended the unveiling of a plaque placed at the spot where the first concert of Juan Formell’s Los Van Van took place, on December 4, 1969, can attest to the fact that Cubans are a dancing people
Union of Cuban Writers and Artists condemns police murder of George Floyd, expressing solidarity with sisters and brothers in the U.S. protesting violations of human rights and racial discrimination
The First International Workshop on Afro-American Diversity, hosted by the Casa de las Americas in Havana, focused on educational, cultural and communicational strategies to combat racism
The pianist combines traditional Cuban styles, especially the rhythms of montunos and tumbaos, with jazz and classical music
During a ceremony, on the 138th anniversary of the outstanding intellectual’s birth, held in the Aula Magna of San Gerónimo University College, in Havana’s central historic district, Gladys Collazo, president of the National Cultural Heritage Council, announced that the work of Ortiz has been declared National Cultural Heritage
The Pepe Sánchez Trova Festival, the oldest event of its kind in the country, is running March 15 through 19 in Santiago de Cuba, a city where the genre has never lost its preeminence
“While some beat the drums of war, right here, right now, and in many places only the drums that will be heard are those which invite us to coexistence and solidarity, to harmony and understanding,” stated Cuban poet, Miguel Barnet, upon inaugurating the concert
A gallery of images presented online by the Tricontinental Institute of Social Research under the same title of a recent manifesto, Let Cuba Live! has attracted attention, given the artistic quality of the messages conveyed
The Union of Cuban Writers and Artists (UNEAC), on September 16, declared Comandante Juan Almeida an honorary member of the organization, five years after his death.
No, one, except perhaps a few infected with the virus of envy and mediocrity, question the poetic stature, the narrative depth (La tregua, Montevideanos and Gracias por el fuego, among other titles) or the brilliance of the essays of Mario Benedetti, the writer from Uruguay, or better, Our America, whose life we celebrated September 14.